…makes junctions that allow unexpected encounters and results.” 143 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating a...
Hans Ulrich Obrist
Named in 6 passages across 4 documents.
Mentions of Hans Ulrich Obrist in the public Epstein records, with citations.
Being named in these documents is not an accusation or evidence of wrongdoing. This page reflects only what the public records literally contain, with citations to the original sources.
Where Hans Ulrich Obrist appears
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…d had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the...
… Chris Anderson, David Kaiser, Neil Gershenfeld, W. Daniel Hillis, Venki Ramakrishnan, Alex “Sandy” Pentland, Hans Ulrich Obrist, Alison Gopnik, Peter Galison, George M. Church, Caroline A. Jones, Stephen Wolfram. I see The Deep Thinking Pr...
…Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Art...
Tom Griffiths is Henry R. Luce Professor of Information, Technology, Consciousness
IMAGES-003-HOUSE_OVERSIGHT_016223.txt
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…d had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the...
“URGENT!” URGENT!” the cc’d copy of an email screamed, one of a dozen emails that
IMAGES-003-HOUSE_OVERSIGHT_016363.txt
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MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introducti...
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